Brazilian artist Henrique Oliveira’s powerful recycled wood art installations snake through their exhibition spaces like massive living trees that burst out of walls and through ceilings. Oliveira scours the streets of Sao Paulo to gather plywood, which he then separates into layers and combines to create his massive “tridimensionals” sculptures. The stunning mixed media pieces are a combination of sculpture, painting and architecture.
These are not your average Halloween costumes. For two years, French photographer Charles Fréger has been traveling throughout European countries, trying to capture the spirit of what he calls “tribal Europe” in his Wilder Mann series. What he found was a huge array of pagan rituals, mainly related to the winter solstice and spring renewal, focusing on the common myth of the “wild man.”
It appears that the tradition of men dressing up as wild animals and monsters, which dates back to neolithic times and shamanism, is still very alive. The mythological figure of a “wild man” represents the complicated relationship humans have with nature and life and death cycles. His series explores the different interpretations of such figures – while some cultures depict him as covered in flowers or straws, others possess the features of bears, goats, or horned and hairy beasts.